Yes - Close To The Edge -2013- -flac 24-192- -
Audiophile-grade, open-back headphones or high-fidelity studio monitors to properly resolve the expansive stereo imaging. 🏆 The Verdict
The Close to the Edge 2013 high-res transfer is arguably the closest we will ever get to sitting in the control room at Advision Studios in 1972 while Eddy Offord moved faders. It reveals the performance behind the production—the squeak of Bill Bruford’s kick drum pedal, the harmonic bleed between Steve Howe’s dual guitar tracks, the unquantized, human rush of the final chord.
The chaotic, avant-garde fusion intro can sound like a harsh wall of noise on inferior formats. In 24/192, Steve Howe’s frantic guitar lines are separated cleanly from Bruford’s rapid-fire snare rolls. You can pinpoint exactly where Howe ends and Wakeman’s synth begins. Yes - Close To The Edge -2013- -FLAC 24-192-
The 18-minute title track benefits immensely from the 24-192 resolution. The chaotic, avant-garde fusion intro can sound cluttered on lesser masters, but here, Steve Howe’s frantic guitar lines and Rick Wakeman’s keyboards occupy distinct spaces. Jon Anderson’s vocals soar cleanly above the instrumentation during the "I Get Up, I Get Down" pipe organ segment, revealing subtle vocal harmonies previously buried in the mix. 2. And You and I
user wants a long article about a specific high-resolution audio release: "Yes - Close To The Edge -2013- -FLAC 24-192-". I need to gather information about the album, the 2013 remaster, the FLAC 24-bit 192kHz format, and context for audiophiles. I'll follow the search plan to collect data. search results provide initial leads. I need to open several of these pages to gather detailed information for the article. The user's question has high authority requirements, I should prioritize using official sources and reliable reviews. Specifically, I'll open result 0 from the first search (yesworld announcement), result 4 (discogs), result 0 from the second search (review), result 1 from the fourth search (audiophile review), result 0 from the fifth search (FLAC info), and result 0 from the sixth search (master tape info). sources provide a wealth of information. The official announcement gives details on the 192kHz/24-bit transfer. The Discogs page lists tracklists and formats. The review offers an audiophile perspective. The Acoustics Sounds page provides context on the original master tape. The NativeDSD page explains hi-res audio. Now I need to search for information on where to download or purchase the FLAC files, and also any technical details or comparisons. search results provide additional sources: a Discogs entry for FLAC files, a Qobuz page, and some reviews. I'll open the Qobuz page and the Discogs FLAC entry. article will cover the album's legacy, the 2013 definitive edition, the FLAC 24-192 format, technical specs, the Steven Wilson remix, audiophile reception, where to find it, and how to listen. I'll structure it with sections. Now I'll write the article. it comes to the pinnacle of progressive rock, few albums reach the artistic and technical heights of Yes’s 1972 masterpiece, Close to the Edge . The keyword "Yes - Close To The Edge -2013- -FLAC 24-192-" unlocks a specific, highly sought-after treasure for audiophiles and prog fans alike: the 2013 Definitive Edition, featuring the original album in its highest-resolution digital form. This article dives deep into why this particular release is considered an essential listening experience, exploring the album's legacy, the technical marvel of the 24-bit/192kHz format, the brilliance of Steven Wilson’s remix, and why this version is the ultimate way to experience a true classic. The chaotic, avant-garde fusion intro can sound like
The opening avant-garde instrumental chaos is transformed in this 2013 24/192 container. Bill Bruford’s rapid-fire snare accents carry a tactile snap, and Chris Squire’s iconic Rickenbacker 4001S bass grunts with aggressive, distorted midrange clarity.
FLAC format compresses file size without discarding a single byte of audio data, ensuring you hear exactly what the engineer intended in the studio. 🎵 Track-by-Track High-Resolution Impressions 1. Close to the Edge The 18-minute title track benefits immensely from the
Warm, compressed, and iconic, but often suffers from "frequency crowding" in dense sections. 2013 Wilson Mix:
Word count: ~1,250. For the collector: Pair this FLAC with a good tube headphone amplifier to soften the transient peaks, and you’ll hear why 1972 was prog’s annus mirabilis.