Oregon Music Of Another Present Era 1972 Flac !!hot!! Direct
Pieces like "Opening" and the haunting "Baku the Dream Eater" delve into more introspective and atmospheric territory, while "Shard/Spring Is Really Coming" highlights the group's free-improvising skills.
A masterclass in acoustic decay. The way the instruments fade into the natural reverb of the recording space is breathtaking.
The Dawn of Ethno-Jazz: Exploring Oregon’s 1972 Masterpiece Music of Another Present Era
: Ralph Towner’s piano and Glen Moore’s inquiring upright bass keep the group anchored in improvisational freedom. Track Highlights
The album features 14 tracks (15 in some editions) totaling approximately 49 minutes. Notable tracks include: Oregon Music of Another Present Era 1972 FLAC
Because Music of Another Present Era invented a genre. It is not “fusion” in the electric sense, nor “new age” in the saccharine sense (the latter would co-opt Oregon’s sound poorly in the 80s). It is “chamber jazz” or “folkloric minimalism.” Listening to this album in FLAC today, you hear the seeds of:
| Track Title | Duration | Primary Instrumentation & Key Details | | :--- | :--- | :--- | | | 5:54 | Opens with Glen Moore's expressive bass solo; a "celebration of rural music and rhythmic invention" | | The Rough Places Plain | 3:14 | Features Ralph Towner's classical guitar and Collin Walcott's sitar | | Sail | 4:32 | Up-tempo piece with Walcott's sprinting tablas, Towner's 12-string guitar, and Moore's bass | | At The Hawk's Well | 3:09 | Instrumentation includes Glen Moore on piano, a key example of the album's pastoral and elegant side | | Children Of God | 1:09 | A short, atonal piece described as a "pointless atonal exercise" by one critic | | Opening | 5:32 | Features Walcott's sitar and tabla, and McCandless on English horn and oboe | | Naiads | 2:02 | A cascading, Phillip Glass-like interlude | | Shard / Spring Is Really Coming | 3:29 | A two-part, intensely improvisatory piece driven by Walcott's mridangam | | Bell Spirit | 0:42 | A very brief interlude featuring Collin Walcott on bells | | Baku The Dream Eater | 4:22 | An eerie, "spooky" track with Walcott's sitar, tabla, and esraj, plus Towner's guitar and harmonica | | The Silence Of A Candle | 1:45 | A democratic piece where all instruments weave together in harmony without a soloist | | Land Of Heart's Desire | 3:21 | Ralph Towner's playful piano elevates this piece | | The Swan | 3:51 | A lilting, melodic track composed by Paul McCandless | | Touchstone | 5:55 | Close-out track with McCandless on oboe, Towner on mellophone, Moore on bass, Walcott on mridangam and percussion |
"Music of Another Present Era" is the debut album by the American jazz fusion group Oregon, released in 1972. The group, formed in 1970, consisted of Ralph Causton (guitar, mandolin), Larry Cory (keyboards, woodwinds), Ron Curry (violin, guitar), and Michael Timmins (percussion). This album showcases the band's unique blend of Eastern influences, jazz, folk, and rock, setting them apart from their contemporaries.
| Parameter | FLAC (typical rip) | MP3 320kbps | |-----------|--------------------|--------------| | Bit depth | 16-bit or 24-bit | 16-bit (perceptual coding) | | Sample rate | 44.1 kHz (or 96/192 kHz) | 44.1 kHz | | Dynamic range | Full original | Reduced (>16 dB loss in low-level passages) | | Phase coherence | Preserved | Altered in high frequencies due to psychoacoustic model | Pieces like "Opening" and the haunting "Baku the
For modern listeners, seeking out Music of Another Present Era in a Free Lossless Audio Codec (FLAC) format isn't just about audiophile snobbery—it is practically a necessity to experience the music as it was intended.
Analog tape from this era contains ultrasonic content (up to 25 kHz on master tapes) and non-linear harmonic distortion that contributes to “air” and instrument separation. FLAC, unlike lossy codecs, retains these characteristics.
The album opens with Ralph Towner’s crystalline 12-string guitar. In FLAC, the decay of each note is palpable. The silence between the notes is as important as the notes themselves. Paul McCandless enters on English horn—an instrument that sounds reedy and dark in low bitrates but, in FLAC, reveals the texture of the reed against the mouthpiece. This piece is a premonition of the ECM sound (though Oregon predated Towner’s later ECM solo work).
Music of Another Present Era averages brief, highly focused tracks that prevent the music from drifting into aimless, self-indulgent jamming. It is not “fusion” in the electric sense,
Detail the history of during the early 1970s.
Released by Vanguard Records in 1972, Music of Another Present Era was an immediate and ambitious statement. The album’s title is deliberately paradoxical—it is music of a "present" that is "another," suggesting a space outside of the mainstream musical trends of the time. This notion is echoed by reviewer Warthur, who notes that the album "at once has that rich vein of experimentalism characteristic of so much 1970s music," yet it sounds like "a continuation of 1960s post-bop," sitting "outside all the contemporary trends of 1972".
The album is frequently cited as one of the most "poetic and groundbreaking records to be released in the 1970s". It is "an acoustically rendered world jazz fusion that proved hugely influential".